OMNIA SU

SU

“HERE AND BEYOND, UP AND DOWN
WATER IS CONSTANTLY IN MOTION, AND NEVER AT REST.
WATER CAN TAKE ALL ODORS, COLORS AND TASTES,
YET IT DOES NOT HAVE ANY OF THESE PROPERTIES ORIGINALLY.
IT ACTS EXACTLY LIKE A MIRROR,
WHICH REFLECTS THE IMAGE OF OBJECTS THAT ARE PLACED IN FRONT OF IT.”*


TO BE INSPIRED BY WATER,
WHICH IS COMPLETELY FREE OF FORM OR SHAPE LIKE GLASS.
AND, TO MOLD GLASS INTO DROPS, WAVES AND SPLASHES,
DESCRIBING STATES OF WATER: FLOWING, EXPANDING, DROPPING AND SPLITTING.

TO SCULPTURE IN GLASS STRUCTURES THAT CONTAIN WATER, A SUBSTANCE,
WHICH TAKES THE FORM OF ITS CONTAINER LIKE GLASS:
DAMS, POOLS, WATER TANKS, WATERMILLS AND BRIDGES.

AND, THUS TO HIGHLIGHT THE WATER PROBLEM,
TO REVISIT THE NATURE AND POTENTIAL OF GLASS,
AND TO EXPAND THE HABITAT OF GLASS.
TO SUGGEST NEW PERCEPTIONS AND TECHNIQUES
FOR THE INTERACTION BETWEEN DESIGN AND CULTURE…

TO REINFORCE THE COLLABORATION BETWEEN THE DESIGNER AND THE MASTER.
TO VALUE SIMPLICITY, PRACTICALITY, SINCERITY, SKILL, TALENT, AND UNIQUENESS.

TO DESIGN TOMORROW’S GLASS.

JUST LIKE WATER,
TO CONTINUE TO CHANGE, TO CHANGE CONTINUOUSLY.

* Leonardo da Vinci
“Matricon, Jean. Vivre l’eau. 2015

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